In our sound exercise we had to create a short scenes to try and include all of the sound technique within the scenes we have created. Within the short scene it had to include a short conversation. The main focus of the task we were given is the use of sound, so we had to carefully consider the dialogue and the sound effects e.g footsteps, door slamming etc.
These sound techniques consist of:
- Diegetic - This is where it refers to the world of the text, for example the radio could be playing in the background.
- Non Diegetic - This occurs when it refers to everything outside the world of the text, so this could include things such as voice overs, soundtracks, captions, titles and subtitles.
- On Screen - Is when the audience can see the source of the sound.
- Off Screen - When the audience cant see the source of the sound.
- Parallel - Is the sound that matches what is happening within the action taking place.
- Contrapuntal - Is when the sound doesn't match what is taking place within the action which is taking place.
- Sound Bridge - Helps to create a smooth transition from one scene to another. The sound bridges the two scene together.
Our short scenes was about a man who was avoiding a man who he owed money to, but these to men bump into each other. However the man escapes and tries to have the guy who he owes money to murdered. I tried to make sure that I included all of the sound techniques.
Scene 1: At the beginning of the scene I used a Non-Diegetic sound technique to introduce all the people who were involved in the short scene. Also in scene one I used diegetic sound to match with the world of the text. So when the young man is walking everything is calm as you could hear with the sounds of the birds in the background. You wouldn't think that anything bad is about to happen at this point.
Scene 2: In this scene we have the other young man who owes the other guy money. We used the On Screen sound to to show that he was listening to music in his headphones. We used the on screen sound so that the audience are able to know where the the source of the sound is coming from.
Scene 3: This is the scene where both of the men bump into each other. The music he's listening to then automatically stops. And the there's a bit of dialogue. Then as soon as the young man escapes there's an contrapuntal sound inputted which is to elaborate the fact that they are running, this is contrapuntal because the sound doesn't match the action of whats showing.
Scene 4: I then included a a sound bridge, this is is a smooth transition from one scene to another. In this case he runs into a room and the music from the last scene is also included in this scene. There is also an off screen sound, this was where the phone call was being made, we couldn't see the phone which is why its a off screen sound technique. And lastly I included the contrapuntal sound technique, this was when I used a dramatic sound effect to show that in that moment there was sense of panic but at the end everything turned out to be okay.
We decided that our scene would involve a conversation because we felt like this would be able to include all of the sound techniques in it. So for example in scene 2 we used the On Screen sound technique to show that Taju was listening to music, whilst on the other hand we used
diegetic sound to show that everything was calm and humble when Hayden was walking in. And then when they clashed the whole mood changed and everything got really intense.
The choices that we used in our conversation scene was really successful, because all of the sound techniques could be used which made it so much easier to edit it on the computer. For example when we the two young men were running it was easy to add a contrapuntal sound to it because we made sure that they was running for long enough to be able to add it.
When we were film our scene we made sure that we captured the sound effectively, this was shown when we filmed Taju running into the room and making the phone call. We made sure that you were able to hear the sound of him dialing the number, to show that this was Off Screen sound effect and we also made sure that it was clear to see. When it came to using the sound equipment, we made sure that we was doing it correctly. This is proven when we could clearly hear Hayden and Taju speak, if it wasn't due to the sound equipment we were using then we wouldn't be able to hear t he clearly or hear them at all for that matter.
We correctly differentiated between Non-Diegetic and Diegetic sound, so at the beginning of the short scene I made sure that I put a introduction of all the characters who were involved in the scene and also the people who helped produce the scene as well. And when it came to the Diegetic sound this was when we showed that Hayden was within a peaceful and calm environment.
We also made sure that we differentiated the differences between On Screen sound and Off Screen sound, this was shown when Taju walked in listen to music, so we showed which song he was listening to, the audience can clearly see this is an on Screen sound because they are able to see where the source of the sound is coming from. But when it came to the Off Screen sound we could also clearly see this, this was when Taju was making the phone call in a dark room, we could hear the sound of him dialing on the phone however we could see the phone that he was dialing from. This is why this is a Off Screen sound technique because we are not able to see the source of sound. And lastly we made sure that we were able to include a sound bridge, this was when Taju and Hayden were running and their was a backing sound effect and then as soon as he ran into the room the sound effect was still going on when he ran into the room.
The most positive elements of my film would have to be when Taju was in the room on the phone to the to a friend of his, this was postive becasue it brought a sense of entertainment to our film piece.
Scene 1: At the beginning of the scene I used a Non-Diegetic sound technique to introduce all the people who were involved in the short scene. Also in scene one I used diegetic sound to match with the world of the text. So when the young man is walking everything is calm as you could hear with the sounds of the birds in the background. You wouldn't think that anything bad is about to happen at this point.
Scene 2: In this scene we have the other young man who owes the other guy money. We used the On Screen sound to to show that he was listening to music in his headphones. We used the on screen sound so that the audience are able to know where the the source of the sound is coming from.
Scene 3: This is the scene where both of the men bump into each other. The music he's listening to then automatically stops. And the there's a bit of dialogue. Then as soon as the young man escapes there's an contrapuntal sound inputted which is to elaborate the fact that they are running, this is contrapuntal because the sound doesn't match the action of whats showing.
Scene 4: I then included a a sound bridge, this is is a smooth transition from one scene to another. In this case he runs into a room and the music from the last scene is also included in this scene. There is also an off screen sound, this was where the phone call was being made, we couldn't see the phone which is why its a off screen sound technique. And lastly I included the contrapuntal sound technique, this was when I used a dramatic sound effect to show that in that moment there was sense of panic but at the end everything turned out to be okay.
We decided that our scene would involve a conversation because we felt like this would be able to include all of the sound techniques in it. So for example in scene 2 we used the On Screen sound technique to show that Taju was listening to music, whilst on the other hand we used
diegetic sound to show that everything was calm and humble when Hayden was walking in. And then when they clashed the whole mood changed and everything got really intense.
The choices that we used in our conversation scene was really successful, because all of the sound techniques could be used which made it so much easier to edit it on the computer. For example when we the two young men were running it was easy to add a contrapuntal sound to it because we made sure that they was running for long enough to be able to add it.
When we were film our scene we made sure that we captured the sound effectively, this was shown when we filmed Taju running into the room and making the phone call. We made sure that you were able to hear the sound of him dialing the number, to show that this was Off Screen sound effect and we also made sure that it was clear to see. When it came to using the sound equipment, we made sure that we was doing it correctly. This is proven when we could clearly hear Hayden and Taju speak, if it wasn't due to the sound equipment we were using then we wouldn't be able to hear t he clearly or hear them at all for that matter.
We correctly differentiated between Non-Diegetic and Diegetic sound, so at the beginning of the short scene I made sure that I put a introduction of all the characters who were involved in the scene and also the people who helped produce the scene as well. And when it came to the Diegetic sound this was when we showed that Hayden was within a peaceful and calm environment.
We also made sure that we differentiated the differences between On Screen sound and Off Screen sound, this was shown when Taju walked in listen to music, so we showed which song he was listening to, the audience can clearly see this is an on Screen sound because they are able to see where the source of the sound is coming from. But when it came to the Off Screen sound we could also clearly see this, this was when Taju was making the phone call in a dark room, we could hear the sound of him dialing on the phone however we could see the phone that he was dialing from. This is why this is a Off Screen sound technique because we are not able to see the source of sound. And lastly we made sure that we were able to include a sound bridge, this was when Taju and Hayden were running and their was a backing sound effect and then as soon as he ran into the room the sound effect was still going on when he ran into the room.
The most positive elements of my film would have to be when Taju was in the room on the phone to the to a friend of his, this was postive becasue it brought a sense of entertainment to our film piece.



